Is 'Warfare' the most brutally honest war film ever made, or just two hours of misery with no point?
A24's 'Warfare' is being called a landmark — a near-real-time recreation of a single harrowing day in Ramadi with almost no conventional narrative arc, no villain speech, no redemption moment. Some critics say it's the most honest depiction of combat trauma ever put on screen. Others say it's cinematic self-flagellation that mistakes suffering for meaning. Is this the war film we needed, or did it forget to give us a reason to care?